About the Australian Fantasy Art Enclaves (AFAE)
Original Website Design of AFAE When First
Launched |
The Australian Fantasy Art Enclaves or AFAE* was formed
by Selina Fenech with guidance from Michele-Lee Phelan and first went
online on the 21st July 2003. Both being Australian based fantasy artists,
they felt the need to have contact with fellow artists, and share our
knowledge and stories of being fantasy artists. Also, they wanted a place
to show off the talents our red land has to offer to the rest of the world!
And so, with Selina's meager HTML and web design knowledge and a little
touch of magic, AFAE was born! Also many thanks to Serge (RIP) from Esoteric
Art for setting up our forums, which are a wonderful friendly and helpful
place full of artistic chatter.
From simple beginnings, AFAE has grown to hold over 70 members with a
wide range of themes and styles, and helped promote these artists. We
hope that this site will grow even more over time and inspire more young
Australians with a little bit of magic.
Copyright Information
The pictures found at this site have been provided by the contributing
artists who kindly gave permission to show them.
Copyright and all rights therein are maintained by the artists, notwithstanding
that they have offered their works here electronically. It is understood
that persons copying this information will adhere to the terms and constraints
invoked by each author's copyright. These works may not be reposted without
the explicit permission of the copyright holder.
Reproduction, distribution or manipulation of any of these works is strictly
prohibited.
* AFAE is a play on "A Fae", Fae being a term for magical
creatures such as fairies, goblins, sidhe, and so on.
PRESS:
The Australian Fantasy Art Enclave First Anniversary
The Australian Fantasy Art Enclave (fondly referred to as AFAE by its
members) is celebrating its first
birthday on the 21st of July 2004. A special haven for “that rare
and wonderful creature – the Australian
Fantasy Artist”, the enclave displays showcase galleries of both
professional and amateur Australian fantasy
artists. It also boasts a forum where members and visitors can chat, exchange
ideas, show off their latest work
and give and receive advice.
AFAE was created by Selina Fenech, with the guidance of artist Michele-Lee
Phelan. It first went
online on the 21st July 2003. As Australian fantasy artists, Fenech and
Phelan felt the need for a place where
they could have contact with others who shared their interests. They wanted
a place to show off the talent
that Australia has to offer to the rest of the world and a place where
Australian artists could gather to share
stories and knowledge. And so, with some simple web design and a special
touch of magic, AFAE was born!
Fenech and Phelan soon realized they weren't as alone in their chosen
careers as they had originally
thought; membership applications started to flood in and AFAE grew rapidly.
The previously invisible
community of fantasy artists in Australia finally had a home and a way
to overcome the isolation imposed by
the physical distances between them. And there is magic there. Within
a small hub made of html code in the
vast web of the Internet, a family has formed.
After only a year AFAE now has over 60 members, with 30 professional artists
(some of international
renown), 38 budding amateurs (whose vision and quality of work is very
impressive) and even 2 adopted New
Zealanders. Ages range from 14 to over 50, with people from Sydney to
Perth and many stops in between.
But what is fantasy art and why did the people who create it need a special
place of their own?
Fantasy artists work in the themes of imagination; they create diverse
worlds, other times and lands with
strange beings and characters within their artwork. Fantasy art covers
everything from whimsical fairies to
bulging barbarians to surreal, other-worldly landscapes. Fantasy art is
closely tied in with myths, legends and
fairy tales and is often influenced by well known "other worlds"
such as Tolkien’s Middle Earth and those from
role playing games such as Dungeons and Dragons. Fairies, angels, dragons,
mermaids, wizards,
goddesses, warriors, unicorns and monsters often feature in fantasy art.
Fantasy art is often portrayed with a substantial dose of realism rather
than being highly stylized or
abstract. Frequently dismissed as "Illustration" rather than
fine art, fantasy art is sometimes not accepted in
traditional art galleries. It is largely under represented in the Australian
art world, especially considering the
great talent Australia has in the area, both from now and in the past.
Ida Rentoul Outhwaite (1888-1960) was
one such acclaimed artist from the past, as was Peg Maltby (1899-1984).
Many Australian fantasy artists
move to larger markets overseas while those who stay here usually find
the best avenue for their art is selling
on the Internet to overseas customers, even when they would prefer to
be spreading the magic among their
fellow Australians.
Despite its niche genre, many fantasy artists, including some of our members,
find themselves in
demand for illustrating magazines, picture books, computer games, role
playing games, and portraits for the
characters of these games. The recent popularity of Lord of the Rings
and Harry Potter has reawakened the
fantasy themes in our culture and fantasy art is also popular among those
in the “New Age” community.
Among our members are artists as influential today as Ida Rentoul Outhwaite
and Peg Maltby were
in the past. Shirley Barber has become a household name with her fairytale
stories and illustrations being
found in every store, from books to sticker sets, jigsaws to backpacks.
When the incredibly popular art book
“The Art of Faery” was published in 2003, two of the twenty
two artists featured (Maxine Gadd and Kim
Turner) were Australian. Selina Fenech has seen her work published in
Australian and United Kingdom Pagan
magazines, and is soon to be published throughout Australia as a line
of greeting cards. Multi award winning
Nick Stathopoulos has created artwork for dozens of book, game and album
covers, illustrating for authors
such as Terry Dowling and James Marsden, the game artwork for “Warlords”
and background artwork for
Disney Corporation. And, proving his incredible range, in 2003 he was
one of the finalists for the Archibald Art
Prize. Jordana Archer-May's ethereal fairy artwork appeared on the Britney
Spears CD “Britney” in 2001 and
in 2003 collaborated with Mark May to publish the book “Ethereality”.
This is but the tip of the iceberg of talent accumulated at AFAE, with
many unpublished artists whose
work is simply astounding! The website is partitioned into a gallery for
Fantasy Artists, being those working
professionally in the field, and a gallery for Amateur Artists. These
artists are only amateur in that they pursue
art as their hobby rather than career, not in terms of the quality of
their work. A common note from visitors is
“Why are they called Amateur artists? Their art is just amazing!”.
The AFAE website contains a showcase gallery of each artist’s work
and a short biography, with links
to more art and information. An online store for purchasing art prints
and other items, information on
commissioning the artists, resources and information for members and visitors
is available. The heart of the
AFAE community is the forum, where artists gather and can leave messages
or chat to each other in real
time. This is where the strong bonds of friendship have been forged, knowledge
shared and support given
freely. Inspiration is abundant and it is a wonderfully friendly and helpful
place full of artistic chatter with a
distinct Australian accent.
The support and inspiration that this forum gives it's members is vividly
clear in the work they create.
Over the last year we have watched as our members skills and talent have
improved exponentially, nurtured
on by the constructive criticism and encouragement of their peers. It
is with great excitement that the
members visit the forums to see the newest artwork a member has posted
proudly, and each new work
amazes!
The forum and website have become so popular even international artists
are asking to join and a
“Friends of AFAE” page has been set up with links to the websites
of our overseas members. The aim of AFAE
is to spread the magic that its artists create with the broader public,
because that is why we create - we
believe that everyone deserves a little magic in their lives! The ancient
themes found in the art have a warm
place in the hearts of the general public. AFAE is growing steadily with
time, as each day more and more
artists – Australian or otherwise – discover the friendliness
and inspiration that its members treasure.
Selina Fenech, AFAE Editor |